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Volume 29.1, 2004
Table of Contents
Special Section/Dossier spécial
Women in Motion/Femmes en mouvement
Introduction:
Karin Schwerdtner and Karen Bamford
Visualizing Labrador: Maps, Photographs, and Geographical Naming
in Mina Hubbard’s A Woman’s Way through Unknown Labrador
Wendy Roy
“Good Housekeeping”:
Agnes Macdonald
Writes About Home and Parliament in Nineteenth-Century Canada
Robin Sutherland
La fugue, la fuite et l’espace franchi dans
Le Premier jardin d’Anne Hébert
Kathleen Kellett-Betsos
Mobility and Identity Construction in Bharati Mukherjee’s
Desirable Daughters: The Tree Wife and Her Rootless Namesake
Katherine Miller
Les lettres chinoises de Ying Chen: le mobile et l’immobile
Irène Oore
Ghostly Foundations:
Multicultural Space and Vancouver’s Chinatown in Sky
Lee’s Disappearing Moon Cafe
Daniel Martin
The Fiction of Agelessness:
Work, Leisure, and Aging in
Alice Munro’s “Pictures of the Ice”
Sara Jamieson
“Publica(c)tion”:
E. Pauline Johnson’s Publishing Venues
and their Contemporary Significance
Sabine Milz
SCL/ÉLC Interview
“Among the Word Animals”: A Conversation with Marilyn Dumont
Jennifer Andrews
Volume 29.2, 2004
Table of Contents
“Hollow at the core”: Deconstructing
Yann Martel’s Life of Pi
Florence Stratton
Believing in Tigers:
Anthropomorphism and Incredulity in
Yann Martel’s Life of Pi
Stewart Cole
Beyond the “Talking Cure”: The Practical Joke as Testimony for
Intergenerational Trauma in
Eden Robinson’s “Queen of the North”
Vikki Visvis
Tales from the Canadian Crypt: Canadian Ghosts,
the Cultural Uncanny, and the Necessity of Haunting in
Ann-Marie MacDonald’s Fall on Your Knees
Joel Baetz
Narrative Community in
Edna Alford’s A Sleep Full of Dreams
Jeremy Lalonde
Michael Ondaatje’s Anil’s Ghost:
Civil Wars, Mystics, and Rationalists
John Bolland
The English Patient and His Narrator:
“Opener of the Ways”
Janis Haswell and Elaine Edwards
No-Man’s Land: Mythic Crisis in
Gwendolyn MacEwen’s The T.E. Lawrence Poems
Brent Wood
SCL/ÉLC Interview
Rediscovering the Poet: Evelyn Lau
Isabel Castelao
 
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