Volume 33.1, 2008

Table of Contents

Beyond the Marriage Metaphor:
Nation, Violence, and the Fallen Woman in The Canadian Brothers
Sunnie Rothenburger

Lisibilité du descriptif dans le roman d'aventures canadien-français :
l'exemple de L'Enfant mystérieux (1890) de Wenceslas-Eugène Dick
Nathalie Dolbec

The Other Side of Utopia:
The Opacity of Perception in the Poetry of the First Run of Tish, 1961-63
Lance La Rocque

Listening at the Edge:
Homage and Ohmage in Don McKay and Ken Babstock
Travis V. Mason

Picture Theory:
On Photographic Intimacy in Nicole Brossard and Anne Carson
Sophie Mayer

Time Structures and the Healing Aesthetic of
Joseph Boyden's Three Day Road
Neta Gordon

Margaret Laurence's A Jest of God as a Work of Simultaneous Narration
Isla Duncan

Moments of Being:
Carol Shields's Short Fiction
Elke D'hoker

« Aux difformes et aux légèrement dérangés » :
la figure du grotesque comme moyen d'accès au désordre du refoulé dans trois nouvelles d'Alice Munro
Jennifer Murray

Uncovering the Grotesque in Fiction by Alice Munro and Gabrielle Roy
Lorna Hutchison

Gabrielle Roy's La route d'Altamont and Canadian Highway Narrative
J.N. Nodelman

Critical Reception and Postmodern Violation of Generic Conventions in Jacques Brossard's "Monument aux marges":
L'Oiseau de feu
Amy J. Ransom

"This is not where we live":
The Production of National Citizenship and Borderlines in Sharon Pollock's The Komagata Maru Incident
Erica Kelly

"The Being Together of Strangers":
Dionne Brand's Politics of Difference and the Limits of Multicultural Discourse
Heather Smyth

Whips, Hammers, and Ropes:
The Burden of Race and Desire in Clarke's George & Rue
Gugu D. Hlongwane

SCL/ÉLC Interview

Projecting History Honestly:
An Interview with Lawrence Hill
Jessie Sagawa

Notes on Contributors