Theatre Research in Canada is issued twice a year./
Recherches théâtrales au Canada est publié deux fois par année.
Formerly/anciennement
Theatre History in Canada/Histoire du théâtre au Canada
DAVID GARDNER
Dora Mavor Moore: A Tribute / 5
JAMES S. MOY
The First Circus in Eastern Canada /12
OWEN KLEIN
The Opening of Montreal's Theatre Royal, 1825 / 24
KATHLEEN D.J. FRASER
Theatre Management in the Nineteenth Century: Eugene McDowell in Canada 1874 -1891 / 39
ROBERT G. LAWRENCE
E. A. McDowell Company in the West Indies /55
MARY JANE MILLER
Two Versions of Rick Salutin's Les Canadiens / 57
VOL I NO 2 / FALL 1980
DOUGLAS ARRELL
Harold Nelson: The Early Years (c. 1865 - 1905) / 83
L.W. CONOLLY
The Man in the Green Goggles: Clergymen and Theatre Censorship (Toronto, 1912-13) / 111
PIERRE B. GOBIN
Les années difficiles: crises et renaissances des théâtres à Montréal 1929-5: Problèmes de répertoires / 124
ALEXANDER M. LEGGATT
Playwrights in a Landscape: The Changing Image of Rural Ontario / 135
VOL 2 NO 1 / SPRING 1981
LOUISE H. FORSYTH
Three Moments in Quebec Theatre History: Les Faux Brillants by Félix-Gabriel Marchand and by Jean-Claude Germain / 3
HOWARD FINK
Beyond Naturalisrn: Tyrone Guthrie's Radio Theatre and the Stage Production of Shakespeare / 19
ROBERT G. LAWRENCE
Jeff, a Play, 'suggested by Stephen Leacock' / 33
MALCOLM PAGE
Change in Vancouver Theatre, 1963-80 / 40
VOL 2 NO 2 / FALL 1981
L.E. DOUCETTE
Les Comédies du statu quo (1834): Political Theatre and Para-theatre in French Canada, Part 1 / 183
JOHN HARE and RAMON HATHORN
Sarah Bernhardt's Visits to Canada: Dates and Repertory / 93
LINDA M. PEAKE
Establishing a Theatrical Tradition: Prince Edward Island, 1800-1900 / 117
MARY ELIZABETH SMITH
Responses to Theatre in Nineteenth-Century Saint John, New Brunswick / 133
VOL 3 NO 1 / SPRING 1982
JOHN RIPLEY
Shakespeare on the Montreal Stage 1805-1826 / 3
L.E. DOUCETTE
Les Comédies du statu quo, Part II and The Fourth Comédie du statu quo (1834) / 21
MURRAY D. EDWARDS
A Playwright from the Canadian Past: W.A. Tremayne (1864-1939) / 43
JONATHAN RITTENHOUSE
Herbert Whittaker A Theatre Life / 51
VOL 3 NO 2 / FALL 1982
YASHDIP SINGH BAINS
Painted Scenery and Decorations in Canadian Theatres 1765-1825 / 109
MARY ELIZABETH SMITH
Shakespeare in Atlantic Canada During the Nineteenth Century / 126
PATRICK B. O'NEILL
Saskatchewan's Last Opera House: Hanley 1912-1982 / 137
J. DOUGLAS CLAYTON
Bears and Beavers: Canadian Stage Productions of Russian Plays / 149
WlLLIAM KILBOURN, JEAN ROBERTS, DAVID GARDNER, DAVID PEACOCK, CLAUDE DES LANDES, WALTER LEARNING
The Canada Council and the Theatre: The Past 25 Years and Tomorrow / 165
VOL 4 NO l / SPRING 1983
ANTON WAGNER
Dr Lawrence Mason, Music and Drama Critic 1924-1939/ 3
ROBERT G. LAWRENCE
The Land Of Promise: Canada, as Somerset Maugham Saw it in 1914 / 15
CAROL BUDNICK
Theatre on the Frontier. Winnipeg in the 1880s / 25
WAYNE FULKS
Albert Tavernier and the Guelph Royal Opera House / 41
DENYSE LYNDE
Sir Peters and Lady Teazles of Montreal's Theatre Royal, 1829-1839 / 57
PATRICK G. NEILSON
Charles Burket Rittenhouse: Theatrical Avocations and Affiliations, 1925-1976
VOL 4 NO 2 / FALL 1983
JEAN-CLÉO GODIN
Julien Daoust: Dramaturge 1866-1943 / 113
MARY M. BROWN
'Pepper's Ghost is Tearing its Hair': Ottawa Theatre in the 1870s / 121
MARY M. BROWN and NATALIE REWA
Ottawa Calendar of Performance in the 1870s / 134
PATRICK B. O'NEILL
The Canadian Concert Party in France / 192
VOL 5 NO 1 / SPRING 1984
DENIS SALTER
At Home and Abroad: The Acting Career of Julia Arthur (1869-1950) / 1
RICHARD PAUL KNOWLES
Robin Phillips' Richard III: History and Human Will / 36
MARY JANE MILLER
Canadian Television Drama 1952-1970: Canada's National Theatre / 51
ROBERT C. NUNN
Sharon Pollock's Plays: A Review Article / 72
VOL 5 NO 2 / FALL 1984
YASHDIP SINGH BAINS AND NORMA JENCKES
Fanny Kemble and Charies Kemble: As Canadians saw them in 1833 / 115
L. E. DOUCETTE AND TIMOTHY J. MCGEE
Theatre and the Politics of Confederation Elzéar Labelle's La Converslon d'un Pêcheur de la Nouvelle-Écosse / 132
MARY ELIZABETH SMITH
Measure By Measure and other Nineteenth-Century Political Satires from New Brunswick / 172
SHARON BLANCHARD
Esse W. Ljungh and the Winnipeg Little Theatre / 185
VOL 6 NO 1 / SPRING 1985
SHERRILL GRACE
Bertram Brooker and the Expressionist Theatre / 3
CHRISTOPHER INNES
The Psychology of Politics: George Ryga's Captives of The Faceless Drummer / 23
EDWARD MULLALY
The Saint John Theatre Riot of 1845 / 44
JAMES NOONAN
The National Arts Centre: Fifteen Years at Play / 56
VOL 6 NO 2 / FALL 1985
LEN. DOUCETTE
Louis Riel sur scène: L'État de la dramaturgie québécoise en 1886 / 123
ALAN FILEWOD
The Interactive Documentary in Canada: Catalyst Theatre's It's About time / 133
RICHARD PERKYNS
Two Decades of Neptune Theatre / 148
ANTON WAGNER
Herman Voaden's 'New Religion' / 187
VOL 7 NO 1 / SPRING 1986
DAVID BEASLEY
Major John Richardson's The Miser Outwitted Discovered / 3
MAJOR JOHN RICHARDSON
The Mlser Outwitted / 11
MARK BLAGRAVE
Temperance and the Theatre in the Nineteenth Century Maritimes / 123
MARCEL FORTIN
Le Caveau d'Ottawa: Une troupe amateur en quête de légitimité / 33
JAMES HOFFMAN
Carroll Alkins and the Home Theatre / 50
LEA V. USIN
'A local habitation and a name': Ottawa's Great Canadian Theatre Company / 71
VOL 7 NO 2 / FALL 1986
REDACTEURS INVITES: L. E. DOUCETTE ET ALONZO LE BLANC
Presentation / 131
BARBARA MCEWEN
Au-delà de 1'exotisme: Le Théâtre québécois devant la critique pansienne, 1955-1985
/ 134
JEAN CLÉO GODIN
Alain Grandbois et le théatre / 149
ALAIN GRANDBOIS
J'ai vingt ans / 152
JEAN-MARC LARRUE
Les Créations scéniques de Louis-Honoré Fréchette: Juin 1880 / 161
DENIS CARRIER
Les Circonstances de la fondation du Théâtre National Français de Montréal / 168
PAUL GAY
Paul-Andre Paiement (1950-1978), ou Le Désespoir du colonisé / 176
INGRID JOUBERT
Quoi de neuf dans l'ouest canadien-français? / 186
LOUISE BLOUIN ET RAYMOND PAGÉ
Le Phénomène des adaptations à la radio québécois (1939-1949) / 202
RÉMI TOURANGEAU ET MARCEL FORTIN
Le Phénomène des pageants au Quéebec / 215
VOL 8 NO 1 / SPRING 1987
Les Femmes dans le Théâtre du Canada / Women in Quebec and Canadian Theatre
REDACTRICE INVITÉE / GUEST EDITOR: LOUISE H. FORSYTH
LOUISE H. FORSYTH
Introduction / 3
MOIRA DAY AND MARILYN POTTS
Elizabeth Sterling Haynes: Initiator of Alberta Theatre / 8
RENEE NOISEUX GURIK
Laure Cabana: pionnière du métier de costumier / 36
MONIQUE GENUIST
Idéologie féministe dans Le temps sauvage et C'était avant la guerre à l'Anse à Gilles / 49
JOAN FERRY
Experiences of a Pioneer in Canadian Experimental Theatre / 59
ANTON WAGNER
Elsie Park Gowan: 'Distinctively Canadian' / 68
ELSIE PARK GOWAN
The Last Caveman, ed. Anton Wagner / 83
VOL 8 NO 2 / FALL 1987
RENATE USMIANI
Roy Mitchell: Prophet in our Past / 147
WlLLIAM C. REEVE
Buchner's Woyzeck on the English Canadian Stage / 169
JERRY WASSERMAN
Buchner in Canada: Woyzeck and the Development of English-Canadian Theatre / 181
JEFFREY GOFFIN
'Canada's Finest Theatre': The Sherman Grand / 193
JAMES HOFFMAN
L.Bullock-Webster and the B. C. Dramatic School / 204
HOWARD FINK
CKUA: Radio Drama and Regional Theatre / 221
VOL 9 NO 1 / SPRING 1988
ROBERT C NUNN
The Interplay of Action and Set in the Plays of David Fennario / 3
PAULETTE COLLET
Les Piecès de Michel Tremblay au Theatre du P'tit Bonheur devant la critique torontoise / 19
ALAN HUGHES
Historical Facts: The Charles Kean Company in Victoria / 30
RICHARD PAUL KNOWLES
Robin Phillips' Strange and Wondrous Dream / 38
ROBERT G. LAWRENCE
Vaughan Glaser on Staqe in Toronto 1921-1934 / 59
DENYSE LYNDE
WoIfville's Mermaid Theatre: The First Fifteen Years / 81
VOL 9 NO 2 / FALL 1988
KATHLEEN FRASER
London's Grand: An Opera House on the Michigan-Ohio-Canadian Circuit 1881-1914 / 129
CAROL W FILERTON
The theatre Criticism of George Stewart, Jr / 147
CHRIS JOHNSON
George F Walker Directs George F Walker / 157
ANTON WAGNER
Infinite Variety or a Canadian 'National' Theatre: Roly Young and the Toronto Civic Theatre Association, 1945-49 / 173
VOL 10 NO 1 / SPRING 1989
RO8ERT NUNN
Spatial Metaphor in the Plays of Judith Thompson / 3
ROBERT G LAWRENCE
Lillie Langtry in Canada and the USA, 1882-1917 / 30
PAULA SPERDAKOS
Dora Mavor Moore before the New Play Society / 43
TREVOR COBAIN
David Pownall's Master Class-Set Unseen / 65
FORUM / 80
LARRY MCDONALD
Theatre History and the Means of Production: An Analytical Model
WILL ROCKETT
Woyzeck: The 150th Anniversary
VOL 10 NO 2 / FALL 1989
DAVID BEASLEY
McKee Rankin: The Actor as Playwright / 115
JILL TOMASSON GOODWIN
A Career in review: Donald Davis Canadian Actor, Producer, Director / 132
GERRY GROSS
A Palpable Hit: A Study of the Impact of Reuben Ship's The Investigator / 152
J M C MEIKLEJOHN
Theatre in Ottawa in the 1930's: A Memoir Edited by Denis W Johnston / 167
MARY JANE MILLER
Billy Bishop Goes to War and Maggie and Pierre: A Matched Set / 188
FORUM / 199
ALAN FILEWOD
The Marginalization of the Canadian Popular Theatre Alliance in the Discourse of Canadian Theatre History
VOL 11 NO 1 / SPRING 1990
RICHARD PAUL KNOWLES
Strafford's First Young Company / 3
JAMES NOONAN
Lord Lorne goes to the Theatre, 1878-1883 / 29
CHRISTL VERDUYN
Une voix féminine précoce au théâtre quéebécois: Cocktail (1935) d'Yvette Ollivier Mercier-Gouin / 48
ANNE NOTHOF
Canadian Radio Drama in English: Prick Up Your Ears / 59
JONATHAN RITTENHOUSE
Building a Theatre: Sherbrooke and its Opera House / 71
FORUM / 85
KATAUN KURTOSI
The Alternative Theatre Adaptation of Leacock's Sorrow of a Super Soul in Hungary
MATHE ALLAIN
'Schizophrenie Is What We Be!'...Or Is It? The Franco-Ontarian Heritage in the Plays of André Paiement
VOL 11 NO 2 / FALL 1990
MIOIRA DAY
William Aberhart: The Evangelist as Subversive Political Dramatist / 115
REID GILBERT
'And then we saw you fly over here and land!': Metadramatic Design in the Stage Work of Morris Panych and Ken MacDonald / 134
NATALIE REWA
Cliches of Ethnicity Subverted: Robert Lepage's La Trilogie des Dragons / 148
FORUM / 162
DAVID GARDNER
"What It Felt Like to be in a Flop": A Canadian Actor Tackles London's West End, 1957-58
ALAN FILEWOD
Undermining the Centre: The Canon According to CTR
VOL 12 NO 1 / SPRING 1991
ROBERT NUNN
The Subjects of Salt-Water Moon / 3
CAROL ROBERTS
The Perfection of Gesture: Timothy Findley and Canadian Theatre / 22
CLAUDE LIZÉ
Institution littéraire, institution théâtrale et théâtre régional / 37
JILL TOMASSON GOODWIN
A Career in Progress: Part 2 Donald Davis, Canadian Actor and Director, 1959-1990 / 56
FORUM / 79
MURIEL GOLD
A Missionary of the French Language through Drama: Madame Jean-Louis Audet (1890- 1970)
VOL 12 NO 2 / FALL 1991
MOIRA DAY
'The Country Mouse at Play': Theatre in the Peace River District 1914-1945 / 115
JUDITH C PERRON
Théâtre de collège, théâtre et collège: Une interdépendance précaire en Acadie / 131
J M C MEIKLEJOHN
Theatre Education after World War II: A Memoir edited with an Introduction and Notes by Denis W Johnston / 141
MARY JANE WARNER
Anne Fairbrother Hill: 'A Chaste and Elegant Dancer' / 169
FORUM / 192
RlCHARD PAUL KNOWLES
Otherwise Engaged: Towards a Materialist Pedagogy
RÉMI TOURANGEAU
Projet sur les jeux scéniques au Canada français
NIGEL HUNT
The pretext of the Post-text: Thoughts on Play Publishing by Smaller Canadian Presses
VOL 13 NO 1 AND 2 / SPRING AND FALL 1992
L'historiographie du théâtre au Canada: Théorie et méthodologie / Theory and Methodology in Canadian Theatre Historiography
JEAN-GUY CÓTÉ, MARIE-CLAUDE LECLERCQ, CLAUDE LIZE
The Problematics of Research on Regional Theatre Conducted in Remote Areas / 5
BARBARA GODARD
Between Repetition and Rehearsal: Conditions of (Women's) Theatre in Canada in a Space of Reproduction / 18
ED MULLALY
W(h)ither the Performance? / 34
BARBARA DRENNAN
Theatre History-Telling: New Historiography, Logic and the Other Canadian Tradition / 46
STEPHEN JOHNSON
'Getting to' Canadian Theatre History: On the Tension Between the New History and the Nation State / 63
JENNIFER HARVIE
Constructing Fictions of an Essential Reality or 'This Picksur Is Niiiice': Judith Thompson's Lion In the Streets / 81
ALAN FILEWOD
Theatre, Navy and the Narrative of 'True Canadianism' / 94
RICHARD PAUL KNOWLES
Stories of Interest: Some Partial Histories of Mulgrave Road: Groping Toward Method / 107
PATRICIA BADIR
Playing Solitaire: Spectatorship and Representation in Canadian Women's Monodrama / 120
DENIS SALTER
On Native Ground: Canadian Theatre Historiography and the Postmodernism/Postcolonialism Axis / 134
SUSAN BENNET
Feminist (Theatre) Historiography / Canadian (Feminist) Theatre: A Reading of some Practlces and Theories / 144
GLEN NICHOLS
Interpreting Multi-text Analysis: Is a Theory of Adaptation Possible? / 152
KYM BIRD
Performing Politics: Propaganda, Parody and a Women's Parliament / 168
VOL 14 NO 1 / SPRING 1993
MOIRA DAY
Elsie Park Gowan's (re)-Buildlng of Canada, 1937-1938: Revisioning the Historical Radio Series through Feminist Eyes / 3
MARILYN BASZCZYNSKI
Laure Conan: Un Théâtre au féminin au 19e siècle / 20
WILLIAM M. BAKER
Captain R. Burton Deane and Theatre on the Prairies, 1883-1901 / 31
GEORGE MANN
The Sterndale Bennetts: The Forrnative Years, 1910-1932 / 60
FORUM / 90
BILL GRAHAM
Sir John Martin-Harvey: The Last Imperial Envoy
VOL 14 NO 2 / FALL 1993
REID GILBERT
My Mother Wants Me To Play Romeo Before it's Too Late: Framing Gender on Stage / 123
PATRICK B. O'NEILL
Thomas Pope Besnard: Less Than Enshrinement / 144
SARA GRAEFE
Reviving and Revising the Past: The Search for Present Meaning in Michel Marc Bouchard's Lilies, or the Revival of a Romantic Drama / 165
HELENE BEAUCHAMP
Theatre Research (Theatrical) Practice: Recognizing Theatre for Young Audiences / 178
VOL 15 NO 1 / SPRING 1994
CELESTE DERKSEN
Out of the Closet: Dramatic Works by Sarah Anne Curzon
Part One: Woman and Nationhood: Laura Secord, the Heroine of 1812 / 3
RÉMI TOURANGEAU
Les pageants historiques de scène comme medium du discours idéologique / 21
RENÉE HULAN
Surviving Translation: Forever Yours, Marie-Lou at Tarragon Theatre / 48
JEANNE KLEIN
Reading Empathy in a Québécois Play: Crying to Laugh / 58
RICHARD BRUCE KIRKLEY
John Hirsch and the Critical Mass: Alternative Theatre on CBC Television in the 1970s / 75
RICHARD BRUCE KIRKLEY
A Catalogue of Canadian Stage Plays on English Canadian Television, 1952 to 1987 / 96
VOL 15 NO 2 / FALL 1994
CÉLESTE DERKSEN
Out of the Closet: Dramatic Works by Sarah Anne Curzon
Part Two: Re-Dressing Gender Inequality: The Sweet Girl Graduate / 123
JENNIFER HARVIE AND RICHARD PAUL KNOWLES
Dialogic Monologue: a Dialogue /136
MICHAEL MCKINNIE
King-Maker: Reading Theatrical Presentations of Canadian Political History / 164
CRAIG STEWART WALKER
Elegy, Mythology and the Sublime in Michael Cook's Colour the Flesh the Colour of Dust / 191
DENYSE LYNDE
In Memoriam Michael Cook / 204
VOL 16 NOS 1 - 2 / Spring/Printemps, Fall/Automne 1995
JENNIFER HARVIE
The Real Nation? Michel Tremblay, Scotland, and Cultural Translatability / 5
MAYTE GÓMEZ
Healing the Border Wound: Fronteras Americanas and the Future of Canadian Multiculturalism / 26
RICHARD SUTHERLAND
The Gallimaufry and the Roots of Alternative Theatre in Vancouver / 40
JAMES HOFFMAN
Genre Contention at the New Play Centre / 59
CRAIG STEWART WALKER
Ship of Death: Eschatology in Michael Cook's Quiller / 69
RICHARD PAUL KNOWLES
This Discipline Which Is Not One / 82
( Special Forum and Responses / 92 - 118 )
VOL 17 NO 1 / Spring/Printemps 1996
SHAWN HUFFMAN
Mettre la scène en cage: Provincetown Playhouse et Le syndrome de Cézanne
ELIZABETH LOMINSKA JOHNSON
Cantonese Opera in Its Canadian Context: The Contemporary Vitality of an Old Tradition
ANDRÉ LOISELLE
Scenes from a Failed Marriage: A Brief Analytical History of Canadian and Québécois Feature Film Adaptations of Drama from 1942 to 1992
JAMES FORSYTHE
Spirituality in Actor Training
JAMES NOONAN
The Making (and Breaking) of a Regional Theatre Critic: Audrey Ashley at the Ottawa Citizen 1961-1985
VOL 17 NO 2 / Fall/Automne 1996 REID GILBERT
Forward / Avant-propos
ROBERT NUNN
Flickering Lights and Declaiming Bodies: Semiosis in Film and Theatre
SUSAN BENNETT
Only in Alberta? Angels in America and Canada
MARCIA BLUMBERG
Queer(y)ing the Canadian Stage: Brad Fraser's Poor Super Man
ANTHONY M. WATANABE
Petit-tchaïkovski et ses Paratextes: Le cas du Titre
ROSALIND KERR
Borderline Crossings in Sharon Pollock's Out-Law Genres: Blood Relations and Doc
Vol.18 No.1 / Spring/Printemps 1997
ROBERT F. GROSS
Offstage Sounds: The Permeable Playhouse of Charles Charles
ALANNA F. BONDAR
"Life Doesn't Seem Natural:" Ecofeminism and the reclaiming of the Feminine Spirit in Cindy Cowan's A Woman from the Sea
NATHALIE DOLBEC
Une Stratégie Descriptive Dans La Sagouine D'antonine Maillet: L'énumération
FRANCINE CHAÎNÉ
Collage, assemblage, bricolage ou La Mise en scène dans l'installation-vidéo
RICHARD PARTINGTON
The Jupiter Theatre's Canadian Content and the Critics, 1951-1954
JEAN LEVASSEUR
Histoire et historicité, intertextualité et réception dans Louis Mailloux (1975) de Calixte Duguay et Jules Boudreau
Vol.18 No.2 / Fall/Automne 1997
STEPHEN JOHNSON
Introduction
SCOTT DUCHESNE
"A Golf Club for the Golden Age": English Canadian Theatre Historiography and the Strange Case of Roy Mitchell
JONATHAN RITTENHOUSE
"Our Granada": The Granada Theatre, Wellington Street, Sherbrooke, Quebec, Canada, America, the World and Me
MARY ELIZABETH SMITH
"One Must Please to Live": The Survival of Harry Lindley in Atlantic Canada
SHELLEY SCOTT
Collective Creation and the Changing Mandate of Nightwood Theatre
Vol.19 No.1 / Spring/Printemps 1998
ALAN FILEWOD
The Mummers Troupe, The Canada Council, and the Production of Theatre History
PAULA SPERDAKOS
Acting in Canada: Frances Hyland, Kate Reid, Martha Henry and the Stratford Festival's 1965 The Cherry Orchard
ALVINA RUPRECHT
Jacques Crête and the Atelier de recherche théâtrale l'Eskabel: 'À Rebours' on the Quebec Stage
Vol.19 No.2 / Fall/Automne 1998
LAWRENCE O'FARRELL
Theatre as Education: A Distinctively Canadian Approach to Secondary School Drama
DIANE ST.-JACQUES
Mise en action et mise en fiction: Le procssus de production en improvisation
JOHN A. HAWKINS
The Apex and the Base of the Pyramid: The Context for Postwar Postsecondary Educational Theatre in Canada
RICHARD PAUL KNOWLES
(WITH THE PEDAGOGIES WORKING GROUP)
Alternative Pedagogies, Cultural Studies and the Teaching of Drama and Theatre
WARREN LINDS
Theatre of the Oppressed: Developing a Pedagogy of Solidarity?
Vol. 20 No. 1 / Spring/Printemps 1999
ANNE F. NOTHOF
The Construction and Deconstruction of Border Zones in Fronteras Americanas by Guillermo Verdecchia and Amigo's Blue Guitar by Joan MacLeod
JANE MOSS
Yvan Bienvenue and the Conte Urbain
JULIE SALVERSON
Transgressive Storytelling or an Aesthetic of Injury: Performance, Pedagogy and Ethics
SCOTT DUCHESNE
(WITH THE PEDAGOGIES WORKING GROUP)
Mike is the Message: Performing the Common Sense Revolution
Vol. 20 No. 2 / Fall/Automne 1999
MOIRA DAY AND DON PERKINS
Introduction / Français
PAULA SPERDAKOS
Canada's Daughters, America's Sweethearts:
The Careers of Canadian 'Footlight Favorites' in the United States
KATHY K. Y. CHUNG
"A Different Kind of the Same Thing": Narrative, Experiential Knowledge, and Subjectivity in Susan Glaspell's Trifles and Sharon Pollock's Blood Relations
PATRICK B. O'NEILL
The Halifax Concert Party in World War II
LAURIN MANN
"Stanislavski" in Toronto
EVE IRENE THERRIEN
Beckett and Québec: "Je me souviens"?
Vol. 21 No. 1 / Spring/Printemps 2000
SHERRILL GRACE
FORWARD / AVANT-PROPOS
EVE D'AETH
Nakai: A Northern Theatre
LOUISE H. FORSYTH
Constructions of the North in Québec Popular Culture and Drama
CHES SKINNER
"It was our north land that we say": Willard Mack and the Great Northwest
SHERRILL GRACE
Representations of the Inuit: From Other to Self
Vol. 21 No. 2 / Fall/Automne 2000
BRUCE BARTON
Redefining 'Community': The Elusive Legacy of the Dramatists' Co-op of Nova Scotia
FRANCINE CHAÎNÉ
Le Musée à l'École: Une Expérience de Jeu Dramatique par les œuvres d'Art
JAMES HOFFMAN
Captain George Vancouver and British Columbia's First Play
GEORGE MANN
The Sterndale Bennetts: The Masquers Years (1933–1940)
Vol. 22 No. 1 / Spring/Printemps 2001
CHRISTINE BOYKO-HEAD
Autobiographical Imprints in Nineteenth-century Canadian Drama: Sarah Curzon's Laura Secord: Heroine of 1812
GLEN NICHOLS
The Mirror Remade: Cultural Affirmation in the Plays of Herménégilde Chiasson
ROSALIND KERR
Trevor Schmidt Retells Tales from the Hospital: A Postmodern Theatrical Experience
GEORGE BELLIVEAU
Glace Bay to Hollywood: A Political Journey
SHELLEY SCOTT
Violent Women: The Bernardo/Homolka Case in Famous by Carol Bolt and Paul's Case by Lynn Crosbie
DAVID GARDNER
A CHECKLIST: CANADIAN ARTISTS IN THE PERFORMING ARTS
UN RÉPERTOIRE DES ARTISTES CANADIENS DANS LES ARTS SCÈNIQUES
ALVINA RUPRECHT
FACE TO FACE WITH DENIS MARLEAU / FACE À FACE AVEC DENIS MARLEAU
Vol. 22 No. 2 / Fall/Automne 2001
ANNE NOTHOF
Introduction: Sharon Pollock at Play / Sharon Pollock Sur Scène
SHERRILL GRACE
Sharon Pollock's Portraits of the Artist
ANNE NOTHOF
Staging the Intersections of Time in Sharon Pollock's Moving Pictures and End Dream
CYNTHIA ZIMMERMAN
Sharon Pollock: Transfiguring the Maternal
GEORGE BELLIVEAU
Daddy on Trial: Sharon Pollock's New Brunswick Plays
JANE MOSS
The Drama of Survival: Staging Post-traumatic Memory in Plays by Lebanese-Quèbècois Dramatists
PATRICK B. O'NEILL
A History of Dramatic Copyright
Vol. 23 No. 1 and 2 / Spring/Printemps, Fall/Automne 2002
RICHARD PLANT
BRUCE BARTON
LOUISE LADOUCEUR
PATRICK LEROUX
BRUCE KIRKLEY
New 'Look,' Emerging Vision: A Time Introductions / Nouveau «Look,» nouvelle vision: c'est le moment des présentations
MARLENE MOSER
Reconfiguring Home: Geopathology and Heterotopia in Margaret Hollingsworth's The House That Jack Built and It's Only Hot For Two Months in Kapuskasing
ROGER PARENT
Théâtre et identité I: la Troupe du Haut Pays
et
Théâtre et identité II: les modalités de l'échange.
KRISTIN HARRIS
From the Kitchen to the Stage: The Recontextualization of Set Dancing in St. John's, Newfoundland and Labrador
CHRISTIANNE GERSON
La nuit juste avant les forêts: le lieu théâtral comme espace d'interaction
LARRY O'FARRELL
Theatre-in-Education: Expanding the Parameters
Vol. 24 No. 1 / Spring/Printemps 2003
BRUCE BARTON
General Introduction: New Forums, New Spaces
Preséntation: Nouvelles formes,nouveaux espaces
I. FEATURE SECTION: TRANSLATION
I. DOSSIER: TRADUCTION
LOUISE LADOUCEUR, Rédactirce adjointe francophone
Présentation
GLEN NICHOLS
Introduction
JANE KOUSTAS
Zulu Time: Theatre Beyond Translation.
ANDRÉ LOISELLE
La «traduction» du théâtre au cinéma: quelques exemples du répertoire canadien
PAUL MALONE
"Good Sisters" and "Darling Sisters": Translating and Transplanting the Joual in Micheal Treamblay's Les belles-soeurs.
CHANTAL GAGNON
Le Shakespeare québécois des années 1990
GREGORY J. REID and CHRISTINE FAMULA
Catachresis in Antonnie Maillet's La Sagouine and the Luis de Céspedes Translation
LINDA DEWOLF
La place du surtitrage comme mode de traduction et vecteur d'échange culturel pour les arts de la scéne.
GENERAL ARTICLES
ROB APPLEFORD
The Indian Act(ing): Proximate Perversions in Genet's The Blacks and Floyd Favel Starr's Lady of Silences (1993, 2003).
REID GILBERT
Marie Clements's The Unnatural and Accidental Women: "Denaturalizing" Genre
INGRID MÜNDEL
Radical Stroytelling: Performing Process in Canadian Popular Theatre.
LAUA LEVIN
Environment Affinities: Naturalism and the Porous Body.
ROBYN READ
The Transmogrification of Judith Thompson's Capture Me: Witnessing the Desconstruction and Reconstruction of Monsters
Vol. 25 No. 1 & 2 / Spring/Fall Printemps/Automne 2004
BRUCE BARTON
Introduction
Preséntation
Articles
ERIN HURLEY
Devenir Autre: Languages of Marco Micone's "culture immigrée"
MARLIS SCHWEITZER
Stepping on Stiletto: Kaleidoscope, CAPP, and Controversy
ALAN FILEWOD
Regiments of the Theatre: Reenactment in Theatre and Military Culture
MICHAEL DEVINE
Cultural Evolution in Newfoundland Theatre: The Rise of the Gros Morne Theatre Festival
Forum I
JACK WINTER
Perry and Other Voices
Essay Collection
CYNTHIA ZIMMERMAN
Introduction: Portraits of the Artist: Plays by Canadian Women.
SHERRILL GRACE
Life Without Instruction: Artemisia, and the Lessons of Perspective
ANNE NOTHOF
Appropriated Voice in Sharon Pollock's Angel's Trumpet
MOIRA DAY
The Portrait of the Artist in Old Age: Gwen Pharis Ringwood's The Lodge
LOUISE H. FORSYTH
Self-Portrait of the Artist as Radical Feminist in Experimental Theatre: Joie by Pol Pelletier
Forum II
JOY COGHILL
Notes from an Actor-Playwright: Song of This Place… A Play based on the Life of Emily Carr
Book Reviews/ Comptes Rendus
CAROLINE GARAND
Legris, Renée. Hubert Aquin et la radio. Une quête d'écriture (1954-1977).
HÉLÈNE JACQUES
Nutting, Stéphanie. Le tragique dans le théâtre québécois et canadien-français, 1950-1989.
FRANÇOIS PARÉ
André Paiement. Les partitions d'une époque. Les pièces d'André Paiement et du Théâtre du Nouvel-Ontario (1971-1976);
Micheline Fournier-Thibault. André Paiement (1950-1978), avant tout un homme de son temps
JAMIE SKIDMORE
Fred Euringer. A Fly on the Curtain..
SUSAN BENNETT
Ric Knowles. Shakespeare and Canada: Essays on Production, Translation, and Adaptation..
© 2005 TRIC