CONTENTS / SOMMAIRE

REID GILBERT
(Editor / Rédactuer, Vol.17 #2)
Forward / Avant-propos

ARTICLES

ROBERT NUNN
Flickering Lights and Declaiming Bodies: Semiosis in Film and Theatre

SUSAN BENNETT
Only in Alberta? Angels in America and Canada

MARCIA BLUMBERG
Queer(y)ing the Canadian Stage: Brad Fraser's Poor Super Man

ANTHONY M. WATANABE
Petit-tchaïkovski et ses Paratextes: Le cas du Titre

ROSALIND KERR
Borderline Crossings in Sharon Pollock's Out-Law Genres: Blood Relations and Doc

REVIEWS / COMPTES RENDUS

LOUISE FORSYTH
Annie Brisset. A Sociocritique of Translation: Theatre and Alterity in Quebec, 1968-1988.
trans. Rosalind Gill and Roger Gannon. Toronto: U of Toronto P, 1996.

FRANCESS G. HALPENNY
Paula Sperdakos. Dora Mavor Moore: Pioneer of the Canadian Theatre.
Toronto: ECW Press, 1995. 286 pp. illus. $19.95 paper.

DENIS JOHNSTON
Judith Rudakoff, ed. Dangerous Traditions: A Passe Muraille Anthology.
Winnipeg: Blizzard Publishing, 1992. x, 288 pp illus. $19.95.

DON KERR
James Hoffman, The Ecstacy of Resistance, A Biography of George Ryga.
Toronto, ECW Press, 1995. 336 pp. illus. $19.95 paper.

PATRICK B. O'NEILL
Herman Goodden. Curtain Rising: The History of Theatre in London.
London: London Regional Art and Historical Museums, 1993. 109 pp illus. paper.

CONTRIBUTORS / COLLABORATEURS

This issue has been made possible through the generous support of the Social Sciences and Humanities Research Council of Canada and the University of Toronto.

La publication de ce numeréo a été rendue possible grâce au généreux appui du Conseil de la recherche en sciences humaines du Canada et l'Université de Toronto.