Volume 30, Numbers 1 & 2 / 2009

CONTENTS / SOMMAIRE

 

RIC KNOWLES
Introduction: Performing Intercultural Canada
Présentation : Le Canada interculturel en performance

 


Articles

GEORGE ELLIOT CLARKE
‘Symposia’ in the Drama of trey anthony and Louise Delisle

JOANNE TOMPKINS
Urban Entanglements in Three African Canadian Plays: Lorena Gale’s Angélique, George Boyd’s Consecrated Ground, and Andrew Moodie’s Riot

JERRY WASSERMAN
Whose Blues? AfriCanadian Theatre and the Blues Aesthetic

BARRY FREEMAN
Navigating the Prague-Toronto-Manitoulin Theatre Project: A Postmodern Ethnographic Approach to Collaborative Intercultural Theatre

YANA MEERZON
The Exilic Teens: On the Intracultural Encounters in Wajdi Mouawad’s Theatre

GUILLERMO VERDECCHIA
Léo at the Tarragon: Naturalizing the Coup

ROBIN C. WHITTAKER
Fusing the Nuclear Community: Intercultural Memory, Hiroshima 1945 and the Chronotopic Dramaturgy of Marie Clements’s Burning Vision

KRISTY JOHNSON
Building a Canadian Disability Arts Network: an Intercultural Approach

 

Comptes Rendus / Book Reviews
 

MARVIN CARLSON
Michael McKinnie. City Stages: Theatre and Urban Space in a Global City.

CONTRIBUTORS / COLLABORATEURS

 

This issue has been made possible through the generous support of the Social Sciences and Humanities Research Council of Canada and the University of Toronto.

La publication de ce numeréo a été rendue possible grâce au généreux appui du Conseil de la  recherche en sciences humaines du Canada et l'Université de Toronto.

© 2005 TRIC